For example, in her poem , she basically puts down those who go to church and says that she is better off talking directly to God in her own home Dickinson This would have been a fairly scandalous idea for the devoutly religious, even though the poem is presented in a simple, almost sing-song fashion that is enhanced by her ABCB rhyme scheme, which is consistent throughout all of her works. Both poets will be remembered as innovators who changed the landscape of American poetry by thinking outside of the box.
The Norton Anthology of American Literature. Sign in or sign up and post using a HubPages Network account. Comments are not for promoting your articles or other sites. Thanks for sharing this essay on here. Now I can see the difference between those 3 poets. Chef-de-jour , thank you for reading and for the comment! These two authors are among the first that come to mind when I think of poetry, and I think it's incredible how their incredibly different styles can speak to people all the same.
Good luck with Leaves of Grass! Thank you for this insightful essay comparing Whitman and Dickinson. Both are fascinating pioneers of poetic language and form no doubt, the former all title and glory, the latter untitled and secretive?
I'm slowly working my way through Leaves of Grass, a monumemtal effort. I admire Whitman's unorthodox language and subject matter - from compost to universal love - his very American ego - and his compassionate feel for life. Dickinson too is special. I can just see her composing inwardly in her quiet room, daring to pen such deep emotive words. Other product and company names shown may be trademarks of their respective owners. HubPages and Hubbers authors may earn revenue on this page based on affiliate relationships and advertisements with partners including Amazon, Google, and others.
This is used to identify particular browsers or devices when the access the service, and is used for security reasons. This is used to prevent bots and spam. This is used to detect comment spam. This is used to provide data on traffic to our website, all personally identifyable data is anonymized. This is used to collect data on traffic to articles and other pages on our site. Unless you are signed in to a HubPages account, all personally identifiable information is anonymized.
This service allows you to sign up for or associate a Google AdSense account with HubPages, so that you can earn money from ads on your articles. No data is shared unless you engage with this feature. Some articles have YouTube videos embedded in them. Some articles have Vimeo videos embedded in them. This is used for a registered author who enrolls in the HubPages Earnings program and requests to be paid via PayPal.
No data is shared with Paypal unless you engage with this feature. You can use this to streamline signing up for, or signing in to your Hubpages account.
No data is shared with Facebook unless you engage with this feature. This supports the Maven widget and search functionality. This is an ad network. Cheryl Walker maintains that while many feminist critics try to assert that Dickinson's life was "a model of successful feminist manipulation of circumstances," in fact, the poet was attracted to masculine forms of power.
Paula Bennett, on the other hand, has contended that Dickinson's relationships with women were more significant than her struggles with men, male power, or male tradition. Bennett argues that Dickinson's relationship with women provided her with the comfort and safety necessary for the poet to explore her own sexuality.
This contention, Bennett states, is supported by a reading of Dickinson's poems that recognizes their homoeroticism and use of clitoral imagery.
The enigmatic details surrounding Dickinson's life continue to fascinate readers and critics alike. Yet it is the technical originality of her poetry, the variety of themes she addressed, and the range and depth of intellectual and emotional experience she explored that have established Dickinson's esteemed reputation as an American poet.
A Poet Restored," in Emily Dickinson: Sewell, Prentice Hall, , pp. Johnson's edition of Dickinson's verse, as well as the characteristics and major themes of her poetry. We would have to go a good way back into the present century to find the peak of that furious energy which produced our biggest and most whirling flood of verse in this country.
So it is not too foolhardy to make a Sewell , Prentice Hall, , pp. An earnest letter is or should be a life-warrant or death-warrant, for what is each instant but a gun, harmless because "unloaded," but that touched "goes off? The Habit of Renunciation," in Dickinson: Strategies of Limitation , University of Massachusetts Press, , pp.
Dickinson posed these questions in an letter to Judge Otis Phillips Lord at an early stage in her autumnal romance with the widowed Salem jurist, her father's friend and ally in Emily Dickinson shared with other Romantic poets, American and European, the intuition that the age of reason had run its course and had failed to bring the hoped-for illumination and order.
In the new century, as the focus turned toward the self, the Many books and essays on Emily Dickinson's poetry have appeared in the last five years, and each approaches the question of spirituality divergently depending on the author's dominant focus.
Barbara Mossberg deals with Dickinson as dutiful and rebellious daughter; Influences on the Poet's Language," in Emily Dickinson: Miller contends that perhaps the greatest influence on Dickinson was the Bible, which served as a model for Dickinson's use of several techniques, including compression, parataxis, and disjunction ]. Books are the best things, well used; abused, among the worst. What is the right use?
I had better never see a book than Dickie stresses that such an analysis reveals a sense of self that is "particular, discontinuous, limited, private, hidden," and that this conclusion challenges those reached by feminist and psychoanalytic narrative character analyses. Cady and Louis J. Budd, Duke University Press, Vol. Morris maintains that by measuring the rhyme and enjambment patterns of Dickinson's poetry, one can see that the "formal contours of her verse" evolved throughout her writing career.
It has become a given of Dickinson criticism that the poet's style never changed. A recent study begins: The Reconstruction of Emily Dickinson," in Parnassus: Poetry in Review , Vol. Between the Kingdom and the Glory," in Emily Dickinson: Budd, Duke University Press, , pp. The habit of Emily Dickinson's mind led her, like George Herbert, to construct a "Double Estate" in which this world was "furnished with the Infinite," in which God was her "Old Neighbor," and death, agony, and grace were fleshly companions.
The discipline that wrought many of her poems was the metaphysical one Hendrickson analyzes in particular the imagery and themes specific to these poems.
While many books and articles have been written on the topic of Emily Dickinson's death poems, virtually nothing has been published about her moment of death poems.
On rare occasions, scholars have mentioned the moment of death poems as a sub-catagory Machor, Johns Hopkins University Press, , pp. When Emily Dickinson's Poems first appeared in , her reluctant Boston publisher, Thomas Niles of Roberts Brothers, wondered whether his firm could afford to underwrite even a small edition of The poetry of Emily Dickinson is a superb testing ground for any literary analysis that emphasizes historical considerations.
Indeed, while recent critical studies that attempt to "relate" Dickinson to her contemporary culture are interesting and informative, it would be more difficult to argue that any are particularly Emily Dickinson and the Experience of Metaphor. Women and Literature, edited by Sandra M. Southern Illinois University Press, , p.
[In the following essay, originally part of a doctoral dissertation, Higgins studies Dickinson's letters, observing that in both prose and poetry Dickinson reduced thoughts and ideas to their essences, Higgins discusses the method by which Dickinson composed her letters and her habit of combining poetry with her prose.
Emily Dickinson’s writing reflects the Realistic period through personal themes: death, isolation, God, marriage, women in society, and love. Dickinson’s writing is affected by numerous factors. Among these are her family, the Realism period, and her .
Like most writers, Emily Dickinson wrote about what she knew and about what intrigued her. A keen observer, she used images from nature, religion, law, music, commerce, medicine, fashion, and domestic activities to probe universal themes: the wonders of nature, the identity of the self, death and immortality, and love. Emily Dickinson's Poetry About Death "Emily Dickinson's Poems about death grew out of her reactions to the tragic events in her personal life." In three of her poems, her style of writing reflects her way of life.
Was the Relationship Between Emily Dickinson and Benjamin Franklin Newton Productive for Emily’s Writing? The Journey of Emily Dickinson Writing Her Manuscript and Poems from to The Springfield Republican Publication of Emily Dickinson’s Work. Emily Dickinson is one of the most interesting female poets of the nineteenth century. Every author has unique characteristics about him/her that make one poet different from another, but what cause Emily Dickinson to be so unique are not only the words she writes, but how she writes them. Her style.