He appears concerned more with his image before the other men than with developing a sincere relationship with Kate.
Grumio imitates Petruchio in an absurd way. This also suggests that Petruchio may be doing the same, but convincingly so. Through the behavior and disguises of the characters, as well as the crossdressing on the Elizabethan stage, The Taming of the Shrew emphasizes that appearances are easily mistaken for reality, both in life and in the theater.
Topic 2 In The Taming of the Shrew, Petruchio employs various strategies to trick or to coerce his wife into obedience. Though Petruchio employs several means of taming Kate, it is ultimately unclear how much success he enjoys. Petruchio flatters Kate and uses reverse psychology to trick her into not only believing that he loves her, but also into being obedient to him.
Flattery in the wooing scene. Before the wedding banquet, Petruchio defends Kate against the other men, who, he pretends, are trying to steal his bride from Shakespeare has used the idea of deception in his play to reflect the opinions of this society.
This idea of deception has been furthered with the use of disguise. Shakespeare brings out this deception in his play through the characters. He does this by using a variety of techniques such as disguise. Throughout the play this main idea of deception and disguise is ably bought out through 3 plots. They include the introductory plot of Christopher Sly, the main plot of Petruchio and Kate and the sub-plot of Bianca and her suitors.
The first story of deception found in the play concerns Christopher Sly. Sly has been knocked unconscious as a result of consuming an excessive amount of alcohol. It is at this point that a lord discovers Sly, and he decides it would be very entertaining for him to play a trick on the drunken beggar. Sly at first is confused as to what is going on, but remains sure of himself and insists that he is not a lord.
It is at this point that Sly instantly reverses himself. And have I such a lady? His speech also is disguised. Sly eventuates from speaking in prose, to speaking in verse. This is very humorous as verse is usually reserved for those in the higher class of society. Sly uses this technique to make him self appear accomplished and wealthy.
Sly is not the only one applying deception within the Introduction. The Lord and his servants have also deceived Sly through the use of disguise. The Lord has done this by forcing Sly to live a life where he is a nobleman, with all the luxuries included.
As soon as Sly awoke they began filling his head with nonsense and insisting that he was a wealthy nobleman. Sly was offered the finest of foods and the finest of clothing in order to further this deception and make him truly believe that he is a wealthy Lord. The sub plot of the play involves Bianca and her suitors. This play-within a play is taken place in Padua, Italy.
Lucentio, a young gentleman from Verona arrives accompanied by his suitor when he notices Baptista Minola and his two young daughters Bianca and her older sister Kate. While standing in the street, Lucentio over hears Baptista say that no one will marry Bianca, until Kate has found a suitor. Lucentio is to disguise himself as a tutor named Cambio while Tranio pretends to be Lucentio.
It is obvious that this is an element of deception. Lucentio and Tranio have purposely disguised themselves in order to deceive Kate, Bianca, Baptista and the other suitors. They have used different clothing in order to accomplish this.
This is where the third, and main plot of the play begins. Whether her speech is to be taken at face value or as a statement of irony is debatable. He annihilates her resistance with his outlandish actions. At his country house outside Padua, he mistreats his servants unconscionably, demonstrating to Katharina the kind of behavior that she has displayed. He then deprives her of sleep, food, and drink, as one would tame a falcon.
Finally, he deprives her of fine clothing. By his example, she is led to see her own unreasonable behavior. The Taming of the Shrew is a perennially popular stage production that can be performed and interpreted in various ways, depending on the inclinations of the directors. Old Baptista of Padua has a problem. Though Kate is well-dowried and fair, her temper is legend. Father, sister, and suitors writhe under the lash of her tongue.
In a scene perhaps better dramatized than read, the sparks fly as Petruchio ventures to woo Katherina. He pretends to have heard nothing but good of her. As she insults him, he compliments her courtesy. This is only a skirmish in the battle between the sexes; later, Petruchio comes late to the wedding, wears tattered clothes, and rides a pathetic excuse for a horse. He swears at the priest, smacks a loud kiss on the bride, and hurries her off without the comfort of a wedding feast.
Nothing is good enough for his Kate, so the food is thrown out, the bed flung asunder, her new gown returned to the tailor. The comedy ends with a marriage feast for Bianca and Lucentio. A merry debate on marriage ends with the new husbands testing their brides for gentleness and obedience.
- The Taming of the Shrew Essay: Katherina's Development Katherina's development in the play, The Taming of the Shrew, is a complicated dilemma for the reader to figure out. Is .
The Taming of the Shrew essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of The Taming of the Shrew by William Shakespeare.
Bloom, Harold, ed. William Shakespeare’s “The Taming of the Shrew”: Modern Critical Interpretations. New York: Chelsea House, New York: Chelsea House, Not for the faint-hearted, this collection of essays is useful for indicating the trends of modern scholarship regarding the play. The Taming of the Shrew Essay. BACK; NEXT ; Writer’s block can be painful, but we’ll help get you over the hump and build a great outline for your paper.
When we first see Katherine, she is labeled a shrew by everyone she encounters (most disturbingly her father), and so she behaves in a predictably shrewish, loathsome manner. But like the lord in Christopher’s story, Petruchio sees potential for reinvention in everyone he encounters, and he thus tells Katherine that she is actually mild, lovable, and generous. William Shakespeare's play "The Taming of the Shrew" is a lighthearted, slapstick comedy written in the 's. This particular era is classified as the William Shakespeare’s play “The Taming of the Shrew” is a lighthearted, slapstick comedy written in the ’s.